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                <text>Yuri Kochiyama and other supporters at Saleem Osman's court day</text>
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                <text>Image shows supporters gathered outside the Manhattan Criminal Court on Saleem Osman's court day. The group is listening to someone speaking out of frame. Yuri Kochiyama stands at center right. Kochiyama and others in the photo wear a pink and purple striped ribbon pinned to their shirts to show support for Osman.&#13;
&#13;
Saleem Osman, who coordinated CAAAV's Lease Drivers Coalition, was beaten and arrested by police on false charges in May 1994. Despite pressure from CAAAV and the public to dismiss the charges against Osman, the Manhattan District Attorney Robert Morgenthau refused. Osman went to court on July 10, 1995. CAAAV and community members wearing ribbons packed the courthouse in support of Osman. Osman was ultimately given an Adjournment in Contemplation of Dismissal; in return, he had to make a statement of apology.&#13;
&#13;
More on Saleem Osman's court day in CAAAV Voice Fall 1995.</text>
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                <text>July 10, 1995</text>
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                <text>Digitized by Emily Chiu and Vivian Truong&#13;
Uploaded by Serena Yang</text>
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                <text>Copyright is held by CAAAV Organizing Asian Communities</text>
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                <text>&lt;span&gt;Portrait of Yuri Kochiyama holding a sign that says "ASIAN AMERICANS UNITED AGAINST MISOGYNY" at Times Square protest against &lt;em&gt;Rising Sun.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;CAAAV, along with dozens of other Asian American organizations across the country, organized demonstrations against the 1993 film &lt;em&gt;Rising Sun&lt;/em&gt; for its xenophobic message and racist stereotypes. This protest was held in Times Square at the opening of &lt;em&gt;Rising Sun&lt;/em&gt;.&lt;/span&gt;</text>
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                <text>Digitized by Frank Chiang and Van Anh Tran&#13;
Uploaded by Serena Yang</text>
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                <text>The image shows five people on what appears to be a speaker panel or reading at the Public Theater. The woman on the far right is activist Yuri Kochiyama. This photo was likely taken at the Sleep Deprivation Chamber fundraiser, as Kochiyama and the man next to her (second from the right) are wearing the same clothes seen in other photographs of the event.&#13;
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                <text>March 1-2, 1996</text>
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                <text>Yuri Kochiyama Protesting Film Debut of Rising Sun in Times Square</text>
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                <text>The late Yuri Kochiyama, a political activist who dedicated her life to social justice and human rights movements, is pictured protesting the film debut of Rising Sun on July 30, 1993. The protest took place in front of the Criterion Theater in Times Square, and she is seen holding a sign at chest level that reads “ASIAN AMERICANS UNITED AGAINST MISOGYNY.” &#13;
&#13;
While the film became controversial due to its racist and xenophobic thru-line, Kochiyama, by holding this sign, was drawing on an important and oft forgotten theme: the condemnation, exchange, and objectification of women. The film, which is based on the book and screenplay by Michael Crichton, is centered around the strangulation of a white female sex worker, the murder shown in explicit detail, yet none of the characters have a reaction to the woman’s death. Kathryn Koegel in her review of the film aptly points out that “We’re not to feel any sorrow for [the deceased sex worker].”  Koegel continues by pointing to a short but critical moment in the film where the female coroner who swabs the escort’s genitals and looks at her bruised throat “quickly pronounces: 'She was into it'" [1].  This off-beat comment exemplifies the way Crichton structures the film to pit the female characters against each other and dissuade sympathy for the victim. The women in the film are used as a “natural resource”, seen as “beautiful, and apparently sexually willing” but their “uncontrolled (by men) female libido is “punished” in the film" [2].&#13;
&#13;
While the primary objective of CAAAV, other political organizations, and independent protestors was to “educate moviegoers about the film’s insidious stereotyping and the potential for Anti-Asian violence”, Kochiyama utilized the protest as a way to both support the Asian community and call attention to the marginalization, sexualization, and hatred of women in the film [3].  &#13;
&#13;
Intersectionality was always at the forefront of Kochiyama's activism, as she “fought for Black liberation alongside Malcolm X, for Puerto Rican rights alongside the Young Lords, for better labor practices among the working class, and she was instrumental in building the Asian American movement" [4].  Kochiyama actively attended CAAAV meetings and in 2013, CAAAV sponsored a dinner, a screening of Yuri Kochiyama: Passion for Justice, and a panel discussion to talk about the “legacy of Kochiyama for API activism and organizing today" [5].&#13;
&#13;
1. Koegel, Kathryn. “Summer Snuff Film.” ProQuest Historical Newspapers: The Washington Post, Aug 14, 1993, page A21.&#13;
2. Joshua Moscow. “Rising Son: Race, Women, and Exchange in the Film Rising Sun.” U.S.-Japan Women’s Journal. English Supplement, no. 16, 1999, pp. 94. JSTOR, http://www.jstor.org/stable/42772141. Accessed 22 Oct. 2024.&#13;
3. “Rising Sun! Raising Hate!” CAAAV Voice vol 5, no. 2 (Fall 1993): Newsletter of the Committee Against Anti-Asian Violence, page 3.&#13;
4. Our Own People 2021. Interview by Rund Abdelfatah and Ramtin Arablouei. Washington: NPR. https://www.npr.org/2021/03/29/982274384/our-own-people.&#13;
5. “Yuri Kochiyama: Passion for Justice.” Maysles Documentary Center, July 11, 2013. https://www.maysles.org/archive2013/2013/7/11/yuri-kochiyama-passion-for-justice#:~:text=Thursday%2C%20July%2011th%2C%206:00pm.%20Yuri%20Kochiyama:%20Passion,Asian%20Communities%2C%20Brought%20to%20You%20by%20Women. </text>
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