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                <text>Soh Daiko on Asian Pacific Heritage Day</text>
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                <text>Members of Soh Daiko play taiko drums in Union Square as part of Asian Pacific Heritage Day on May 7, 1995. They are dressed in red, white and black. Attendees can be seen in front of and behind the musicians. </text>
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                <text>Digitized by Nina Huang&#13;
Cataloged by Vivian Lanini</text>
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                <text>Protest at Manhattan D.A.'s office for Saleem Osman</text>
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                <text>Protestors at a rally in support of Saleem Osman hold signs reading "Drop All Charges Against Saleem" and "Police the Police NOW!" outside of Manhattan Criminal Court. The red banner behind them reads "Stop Racist and Economic Violence". White text along the bottom reads "Commiteee Against Anti-Asian Violence." The rest of the banner is partially obscured. The rally was organized to put pressure on District Attorney Robert Morgenthau to drop charges against Osman. Osman was scheduled to stand trial three days after these photos were taken. </text>
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Cataloged by Vivian Lanini</text>
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                <text>Youth at the Philippine Independence Day Parade</text>
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                <text>Two children attend the Philippine Independence Day Parade. They wear colorful necklaces. There are green flyers and a basket on the ground between them containing flowers and the flag of the Philippines. The "Filipina Workers for Liberation" banner is partially seen on the left. Behind the children are signs referencing the Visiting Forces Agreement (VFA) and nuclear power.</text>
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                <text>Portrait of CAAAV community organizer Eunja Lee</text>
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                <text>The photograph depicts CAAAV community organizer Eunja Lee taken for the Fall 1993 edition of CAAAV Voice.&#13;
&#13;
Lee was born and raised in Osaka, Japan but is of Korean descent and moved to the United States in 1985. She developed the Korean Community Organizing Committee and the Summer Lecture Series [1].&#13;
&#13;
1. “New Staff at CAAAV”. CAAAV Voice, Vol 5, no. 2 (Fall 1993): Newsletter of the Committee Against Anti-Asian Violence.</text>
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                <text>Digitized by: Cat Jung&#13;
Catalogued by: Sam Marsh</text>
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                <text>A person holds a sign that reads “Stop the Burn, Eclipse the Sun, We Are Still Recovering From the Last A-Bomb” while another individual holds a sign whose entirety is cut from view but begins with “Can We All Get…” There is a cameraman in the background and protestors are smiling.&#13;
&#13;
The demonstrators were protesting in Times Square against the premiere of Rising Sun, a film widely scrutinized by CAAAV and other political organizations for its xenophobic and racist portrayals of Asians, namely the Japanese. This protest took place on July 30, 1993.</text>
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                <text>Digitized by: Frank Chiang and Van Anh Tran&#13;
Catalogued by: Sam Marsh</text>
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                <text>A large group of demonstrators protest the film debut of Rising Sun on July 30, 1993. A cameraman can be seen in both photographs, documenting the event. In photo 067, the theater is visible, and a partial promotion of the film can be seen.&#13;
&#13;
The film was widely scrutinized by CAAAV and other political organizations for its xenophobic and racist portrayal of Asians, namely the Japanese. Activist groups took to protesting in order to “educate moviegoers about the film’s insidious stereotyping and the potential for anti-Asian violence its xenophobic messaging promotes" [1].&#13;
&#13;
1. “Rising Sun! Raising Hate!”. CAAAV Voice, Vol 5, no. 2 (Fall 1993): Newsletter of the Committee Against Anti-Asian Violence.</text>
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                <text>Digitized by: Frank Chiang, Van Anh Tran&#13;
Cataloged by: Sam Marsh</text>
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                <text>"Thumbs Down!": Protestors at the Film Debut of Rising Sun</text>
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                <text>A large group of demonstrators are pictured marching in front of the Criterion theater in Times Square to protest the film debut of Rising Sun on July 30, 1993. In the foreground a person holds a sign that reads “Thumbs Down!” while in the background multiple people are holding a CAAAV sign. The theater promotes the film in large, capitalized letters along with the names of the two main actors, Sean Connery and Wesley Snipes.&#13;
&#13;
The film was widely scrutinized by CAAAV and other political organizations for its xenophobic and racist portrayal of Asians. Activist groups wanted the studio to hire an Asian-American consultant who could have “influenced the film’s content" [1]. The groups also lobbied for a disclaimer at the beginning of the film stating, “no slight to Asians or Asian Americans was intended" [2] and a private viewing before the film’s release [3]. The studio denied all three requests; therefore, CAAAV, the Asian American Legal Defense and Education, and other political organizations took to the streets to “educate moviegoers about the film’s insidious stereotyping and the potential for anti-Asian violence its xenophobic messaging promotes" [4].&#13;
&#13;
1. Ferrell, David. “‘Rising Sun’ Opens to Charges of Racism.” ProQuest Historical Newspapers: The Los Angeles Times, Jul 31, 1993, page B3.&#13;
2. Iverem, Esther. “‘Rising Sun’ Protests: Asian Americans Object to Depictions.” ProQuest Historical Newspapers: The Washington Post, Jul 29, 1993, page C7.&#13;
3. Hajari, Nisid. ““Rising Sun” Stirs Controversy.” Entertainment Weekly, Aug 6, 1993, https://ew.com/article/1993/08/06/rising-sun-stirs-controversy/.&#13;
4. “Rising Sun! Raising Hate!”. CAAAV Voice, Vol 5, no. 2 (Fall 1993): Newsletter of the Committee Against Anti-Asian Violence.</text>
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The protestors were there to demonstrate against the premiere of Rising Sun, a film widely scrutinized by CAAAV and other political organizations for its link between economic scapegoating and racism and its xenophobic portrayal of Asians.</text>
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&#13;
This photograph takes place on July 30, 1993 in Times Square. Demonstrators were protesting the film debut of Rising Sun, a film made highly controversial due to its xenophobic and racist portrayal of Asians, especially Japanese men who were depicted as “venal and sexually deviant foreigners bent on taking over American institutions" [1].&#13;
&#13;
1. “Rising Sun! Raising Hate!”. CAAAV Voice, Vol 5, no. 2 (Fall 1993): Newsletter of the Committee Against Anti-Asian Violence.</text>
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                <text>The late Yuri Kochiyama, a political activist who dedicated her life to social justice and human rights movements, is pictured protesting the film debut of Rising Sun on July 30, 1993. The protest took place in front of the Criterion Theater in Times Square, and she is seen holding a sign at chest level that reads “ASIAN AMERICANS UNITED AGAINST MISOGYNY.” &#13;
&#13;
While the film became controversial due to its racist and xenophobic thru-line, Kochiyama, by holding this sign, was drawing on an important and oft forgotten theme: the condemnation, exchange, and objectification of women. The film, which is based on the book and screenplay by Michael Crichton, is centered around the strangulation of a white female sex worker, the murder shown in explicit detail, yet none of the characters have a reaction to the woman’s death. Kathryn Koegel in her review of the film aptly points out that “We’re not to feel any sorrow for [the deceased sex worker].”  Koegel continues by pointing to a short but critical moment in the film where the female coroner who swabs the escort’s genitals and looks at her bruised throat “quickly pronounces: 'She was into it'" [1].  This off-beat comment exemplifies the way Crichton structures the film to pit the female characters against each other and dissuade sympathy for the victim. The women in the film are used as a “natural resource”, seen as “beautiful, and apparently sexually willing” but their “uncontrolled (by men) female libido is “punished” in the film" [2].&#13;
&#13;
While the primary objective of CAAAV, other political organizations, and independent protestors was to “educate moviegoers about the film’s insidious stereotyping and the potential for Anti-Asian violence”, Kochiyama utilized the protest as a way to both support the Asian community and call attention to the marginalization, sexualization, and hatred of women in the film [3].  &#13;
&#13;
Intersectionality was always at the forefront of Kochiyama's activism, as she “fought for Black liberation alongside Malcolm X, for Puerto Rican rights alongside the Young Lords, for better labor practices among the working class, and she was instrumental in building the Asian American movement" [4].  Kochiyama actively attended CAAAV meetings and in 2013, CAAAV sponsored a dinner, a screening of Yuri Kochiyama: Passion for Justice, and a panel discussion to talk about the “legacy of Kochiyama for API activism and organizing today" [5].&#13;
&#13;
1. Koegel, Kathryn. “Summer Snuff Film.” ProQuest Historical Newspapers: The Washington Post, Aug 14, 1993, page A21.&#13;
2. Joshua Moscow. “Rising Son: Race, Women, and Exchange in the Film Rising Sun.” U.S.-Japan Women’s Journal. English Supplement, no. 16, 1999, pp. 94. JSTOR, http://www.jstor.org/stable/42772141. Accessed 22 Oct. 2024.&#13;
3. “Rising Sun! Raising Hate!” CAAAV Voice vol 5, no. 2 (Fall 1993): Newsletter of the Committee Against Anti-Asian Violence, page 3.&#13;
4. Our Own People 2021. Interview by Rund Abdelfatah and Ramtin Arablouei. Washington: NPR. https://www.npr.org/2021/03/29/982274384/our-own-people.&#13;
5. “Yuri Kochiyama: Passion for Justice.” Maysles Documentary Center, July 11, 2013. https://www.maysles.org/archive2013/2013/7/11/yuri-kochiyama-passion-for-justice#:~:text=Thursday%2C%20July%2011th%2C%206:00pm.%20Yuri%20Kochiyama:%20Passion,Asian%20Communities%2C%20Brought%20to%20You%20by%20Women. </text>
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