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                <text>Performers at CAAAV's "The Rhythm is Ours!" fundraiser</text>
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                <text>This black and white photograph depicts performers on-stage at a sold out CAAAV fundraiser, "The Rhythm is Ours!", at the Public Theater. The benefit featured performances by drumming groups that represented a wide range of New York ethnic communities. The members of Umuncha (Korean) gather at the front of the stage, while Soh Daiko (Japanese), Kinding Sindaw (Filipino) and La Troupe Makandal (Haitain) stand towards the back. </text>
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                <text>June 17, 1995</text>
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                <text>Digitized by: Emily Chiu and Vivian Truong&#13;
Cataloged by: Prithvi Dinesh Chandra</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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                <text>Photograph</text>
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                <text>Performers in a Parade at Night</text>
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                <text>Five individuals (some in costume) dance, play the drums, and hold objects aloft during a parade. (Possibly performing a Concheros or Chichimecas dance, a pre-Hispanic and pre-Christian Mexican dance ceremony) </text>
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            <name>Date</name>
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                <text>Undated</text>
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                <text>Emma Griffin</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.&#13;
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                <text>Photographs</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Performers Lined up Onstage</text>
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                <text>Seven performers, three women and two men, are onstage. Five, all wearing white, are lined up at the very back of the stage. Two are forward from the line, a man in white wearing a cloth bag, head bowed, and a woman barefoot wearing a blue patterned skirt. The woman is also holding up a metal object from which smoke is issuing. On a table in front of the stage is a red patterned tablecloth, tall white candles in glass containers, and a stone flower wreath. </text>
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                <text>undated</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Aliza Hornblass</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright is held by CAAAV Organizing Asian Communities</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CAAAV_1704</text>
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                <text>Performers on a Truck at a Parade</text>
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            <description>An account of the resource</description>
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                <text>Four musicians sing and play the drums on the flatbed of a truck during a parade. Sign on the truck reads "The People[...] Tribun[e]"</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Undated</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Emma Griffin</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CAAAV_1207</text>
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        <name>Parade</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Performers on Stage</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Black and white photograph of five women on a stage, playing music and dancing in traditional dress. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>undated</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Laura Juliano</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11726">
                <text>Copyright is held by CAAAV Organizing Asian Communities. </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CAAAV_1677</text>
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        <name>CAAAV Benefit</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Person speaking into a microphone</text>
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            <description>An account of the resource</description>
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                <text>A person speaks into a microphone, likely addressing a crowd. The person may be Carolyn de Leon-Hermogenes, director of the Women Workers Project of CAAAV from 2000 to 2008. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>June 2000</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digitized by: Frank Chiang&#13;
Cataloged by: Katelyn Landry</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Photo307</text>
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        <name>Women Workers Project</name>
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                  <text>World Social Forum 2004</text>
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                  <text>Started in 2001 in Brazil, the World Social Forum (WSF) is a global annual week-long event in which organizers and NGOs convene in the spirit of fighting against systems of power. The WSF mainly serves as a platform for discussing possible worlds outside of one dominated by imperialism, capitalism, and globalization, with the slogan, “Another World Is Possible.” [1] The fourth World Social Forum, held in 2004 in Mumbai, was the first WSF to be held outside its home country of Brazil in order to broaden its focus to Asia and corresponding topics such as the caste system and the relations between India and Pakistan. [2] The WSF is also a subject of criticism. At this particular WSF, criticisms included there were groups that should have been excluded (such as armed militant groups), that the WSF put too much emphasis on discussion and not enough on collective action. [3] Further, a forum counter to the WSF was held at the same time, called Mumbai Resistance (MR) 2004. &#13;
&#13;
CAAAV and Domestic Workers United (DWU) members were delegates to the World Social Forum 2004. They visited impoverished urban areas in Mumbai and a network of Adivasi tribes. [4] Through their experiences with local life, CAAAV and DWU members confronted their privilege coming from a developed country where aspects of life such as running water were taken for granted. [5] They learned about the caste system in greater depth and the environmentally destructive extractionist role that Coca-Cola plays in India. [6] After a couple days of the WSF, the delegation began to have criticisms of the event, including that the workshops were all in English with no translators and that NGOs dominated the discussions. [7] The delegation then decided to visit Mumbai Resistance (MR) 2004 to gain insight into the WSF, learning that the WSF has close relations to prominent NGOs. [8] They then marched with Mumbai Resistance against the U.S. invasion of Iraq. [9] The CAAAV and DWU members left with a sense of renewed drive for justice, a sense of responsibility to educate themselves about the effects of U.S. imperialism internationally, and gratitude for what Mumbai had taught them. [10] &#13;
&#13;
The World Social Forum Collection primarily contains photos, posters and pamphlets taken from the World Social Forum 2004 and Mumbai Resistance 2004. The photographs primarily document protests. The pamphlets are written by various movements and groups about their own work. The collection also includes papers that detail workshops and seminars.   &#13;
&#13;
[1] [2] [3] Karin Simonson, World Social Forum Mumbai: The World’s Second Superpower?: NGO &amp; Civil Society Perspectives, Ottawa: Programme on NGOs and Civil Society of the Centre for Applied Studies in International Negotiation, 2004, 5, https://www.files.ethz.ch/isn/20321/03'.2004.pdf.&#13;
&#13;
[4] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” CAAAV Voice Newsletter, Spring 2004, 5-6, https://archives.caaav.org/files/original/42f687edc80aa07364c0fc33980f184b.pdf.&#13;
&#13;
[5] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 5.&#13;
&#13;
[6] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 7.&#13;
&#13;
[7] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 8.&#13;
&#13;
[8] [9] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 9.</text>
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                  <text>Digitized by: Unzel Tariq&#13;
Cataloged by: Eris Gonzalez</text>
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[1] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” CAAAV Voice Newsletter, Spring 2004, 7, https://archives.caaav.org/files/original/42f687edc80aa07364c0fc33980f184b.pdf.</text>
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