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                <text>&lt;p&gt;July 30, 1993: CAAAV summer interns Jonathon Sung Bidol, Ginny Moon, and Julia Wang gather over one-hundred demonstrators outside Times Square’s Criterion Theater to protest Philip Kaufman’s racist film, &lt;em&gt;Rising Sun&lt;/em&gt;, on its opening day. “&lt;em&gt;Rising Sun&lt;/em&gt;! Raising hate!” the crowd chants.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn1" name="_ftnref1"&gt;&lt;sup&gt;[1]&lt;/sup&gt;&lt;/a&gt; “JAPANESE MEN SLEEPING WITH WHITE WOMEN! GET THE LYNCH MOB,” reads one protestor’s sign.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn2" name="_ftnref2"&gt;&lt;sup&gt;[2]&lt;/sup&gt;&lt;/a&gt; Staged in conjunction with dozens of other demonstrations across the United States, this protest aimed to “educate moviegoers about [&lt;em&gt;Rising Sun&lt;/em&gt;’s] insidious stereotyping and the potential for anti-Asian violence its xenophobic message promotes.”&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn3" name="_ftnref3"&gt;&lt;sup&gt;[3]&lt;/sup&gt;&lt;/a&gt; The film, which follows two detectives as they investigate the murder of an escort at a Japanese company in Los Angeles, characterizes Japanese men as amoral, sexually-deviant foreigners determined to take over American institutions.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn4" name="_ftnref4"&gt;&lt;sup&gt;[4]&lt;/sup&gt;&lt;/a&gt; Such insidious anti-Asian depictions redirect attention from internal causes of American economic problems and project blame onto “conniving” outsiders who look and act differently from white Americans.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn5" name="_ftnref5"&gt;&lt;sup&gt;[5]&lt;/sup&gt;&lt;/a&gt; CAAAV’s protest against this stereotyping reflects an enduring commitment to fighting systemic and institutional racism, the root cause of anti-Asian violence in the U.S., and the organization’s awareness that hate crimes are often fueled by anti-Asian representations in American culture.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn6" name="_ftnref6"&gt;&lt;sup&gt;[6]&lt;/sup&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Founded in 1986, CAAAV Organizing Asian Communities (formerly the Coalition Against Anti-Asian Violence) was created in response to rising anti-Asian violence across the U.S., particularly following the 1982 murder of Vincent Chin. A large part of CAAAV’s early activism centered on developing “a deeper analysis of the root causes of [anti-Asian] violence,” including the fact that such violence is neither random nor uncommon. Rather, it’s the result of centuries-long anti-Asian racism, which has become codified in the American legal system and in American culture.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn7" name="_ftnref7"&gt;&lt;sup&gt;[7]&lt;/sup&gt;&lt;/a&gt; This entrenched racism is often expressed in anti-Asian representations; although Asian people have lived in the U.S. for centuries, they remain marginalized and othered, “seen as exotic, barbaric, and the perpetual foreigner,” even if they are naturalized or were born in the U.S.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn8" name="_ftnref8"&gt;&lt;sup&gt;[8]&lt;/sup&gt;&lt;/a&gt; As the organizers of CAAAV’s anti-&lt;em&gt;Rising Sun &lt;/em&gt;protest recognized, these racist caricatures directly fuel anti-Asian violence.&lt;/p&gt;&#13;
&lt;p&gt;In October 1987, for example, flyers portraying Asian business owners and homeowners as homicidal mobsters and conniving religious cult leaders were plastered across Bensonhurst and Gravesend, Brooklyn. This directly resulted in a spate of anti-Asian violence, including street harassment, vandalism of Asian-owned property, and beatings of Asian American youth. As the organization would do upon &lt;em&gt;Rising Sun&lt;/em&gt;’s release, CAAAV explicitly challenged these anti-Asian representations. CAAAV founders Mini Liu and Monona Yin publicly condemned city officials’ refusal to take anti-Asian racism seriously, collecting over one-thousand signatures on a petition that protested the NYPD’s response and collaborating with a multiracial coalition of community leaders to address racial violence in South Brooklyn.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn9" name="_ftnref9"&gt;&lt;sup&gt;[9]&lt;/sup&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Such activism illustrates CAAAV’s critical analysis of the root causes of anti-Asian violence and the strategic actions it takes to address systemic and institutional racism. Today, CAAAV continues to combat anti-Asian representations and hate crimes as the COVID-19 pandemic inflames anti-Asian racism. In advocating for poor and working-class Asian immigrant and refugee communities and protesting against anti-Asian representations, CAAAV supports and empowers some of New York City’s most vulnerable residents and provides them with essential services and resources during a particularly dangerous time for Asians and Asian Americans.&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftn10" name="_ftnref10"&gt;&lt;sup&gt;[10]&lt;/sup&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Notes&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref1" name="_ftn1"&gt;&lt;sup&gt;&lt;span&gt;[1]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “Rising Sun! Raising Hate!,” &lt;em&gt;The CAAAV Voice &lt;/em&gt;5, no. 2 (1993): 3, accessed March 14, 2021, http://caaav.org/wp-content/uploads/2015/01/Voice_Fall_1993.pdf.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref2" name="_ftn2"&gt;&lt;sup&gt;&lt;span&gt;[2]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “Rising Sun! Raising Hate!,” 3; “Protest against film Rising Sun in Times Square (New York City),” &lt;em&gt;CAAAV Organizing Asian Communities Digital Archive&lt;/em&gt;, accessed March 16, 2021, http://maggie.hosting.nyu.edu/caaav/admin/items/show/1091.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref3" name="_ftn3"&gt;&lt;sup&gt;&lt;span&gt;[3]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “Rising Sun! Raising Hate!,” 3.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref4" name="_ftn4"&gt;&lt;sup&gt;&lt;span&gt;[4]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “Rising Sun (1993),” &lt;em&gt;IMDb&lt;/em&gt;, accessed March 14, 2021, http://www.imdb.com/title/tt0107969/; “Rising Sun! Raising Hate!,” 3.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref5" name="_ftn5"&gt;&lt;sup&gt;&lt;span&gt;[5]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “Rising Sun! Raising Hate!,” 3.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref6" name="_ftn6"&gt;&lt;sup&gt;&lt;span&gt;[6]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “History of CAAAV,” &lt;em&gt;CAAAV Organizing Asian Communities&lt;/em&gt;, accessed March 14, 2021, http://caaav.org/about-us/history-of-caaav.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref7" name="_ftn7"&gt;&lt;sup&gt;&lt;span&gt;[7]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “History of CAAAV.”&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref8" name="_ftn8"&gt;&lt;sup&gt;&lt;span&gt;[8]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; Vivian Wong et al, “Archives (Re)Imagined Elsewhere: Asian American Community-based Archival Organizations,” in &lt;em&gt;Through the Archival Looking Glass: A Reader on Diversity and Inclusion&lt;/em&gt;, ed. Mary A Caldera and Kathryn M. Neal (Chicago: Society of American Archivists, 2014): 114.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref9" name="_ftn9"&gt;&lt;sup&gt;&lt;span&gt;[9]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; Vivian Truong, "From State-Sanctioned Removal to the Right to the City: The Policing of Asian Immigrants in Southern Brooklyn, 1987–1995," &lt;em&gt;Journal of Asian American Studies &lt;/em&gt;23, no. 1 (2020): 66-68.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://maggie.hosting.nyu.edu/caaav/rising-sun-raising-hate#_ftnref10" name="_ftn10"&gt;&lt;sup&gt;&lt;span&gt;[10]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt; “Our Work,” &lt;em&gt;CAAAV Organizing Asian Communities&lt;/em&gt;, accessed March 14, 2021, http://caaav.org/our-work.&lt;/p&gt;</text>
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This post was completed as coursework for HIST-GA 3901 Community Archives, taught by Maggie Schreiner, in the Archives and Public History MA program at New York University.</text>
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                <text>Protest against film &lt;em&gt;Rising Sun&lt;/em&gt; in Times Square (New York City)</text>
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                <text>&lt;p&gt;This photographs shows a crowded scene in front of a movie theater. On its marquee, adorned in red block letters, is a title: RISING SUN. On the street, members of CAAAV hold signs as tourists pass by, reading “Japanese men sleeping with white women! Get the lynch mob,”&lt;a&gt;&lt;span&gt;[1]&lt;/span&gt;&lt;/a&gt; and other images depict the sign “Gangsters, businessmen &amp;amp; waiters – we demand better roles for Asian actors.”&lt;a&gt;&lt;span&gt;[2]&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;This protest was one of many. Asian-American activists had been vocal about their problems with &lt;em&gt;Rising Sun &lt;/em&gt;– citing its use of caricaturized depictions of Asian people and the way it promoted violence against them – and groups across the country had organized demonstrations for its premier in 1993.&lt;a&gt;&lt;span&gt;[3]&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Asian representation in film has long been lacking. Asian characters make up only 1% of leading roles, and when they &lt;em&gt;do&lt;/em&gt; appear they often embody harmful stereotypes.&lt;a&gt;&lt;span&gt;[4]&lt;/span&gt;&lt;/a&gt; Asian men in particular are frequently portrayed as emasculated and sexless or, in the case of &lt;em&gt;Rising Sun, &lt;/em&gt;as predatory businessmen with criminal connections.&lt;a&gt;&lt;span&gt;[5]&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Many of these harmful tropes stem from the racist and xenophobic fear, originating in the 1870s, that Asian immigration constituted a threat to the white Western world. This fear, often known as the idea of “Yellow Peril,” was particularly obvious in the pervasive anxiety that Asian men might corrupt white women.&lt;a&gt;&lt;span&gt;[6]&lt;/span&gt;&lt;/a&gt; &lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Rising Sun &lt;/em&gt;stokes these twin fears. It tells the story of police investigating the death of a white female escort, whose body was discovered in the offices of a powerful Japanese company.&lt;a&gt;&lt;span&gt;[7]&lt;/span&gt;&lt;/a&gt; As stated, both the fears of Asian people gaining power in the (white) American business world and of Asian men taking advantage of defenseless white women are baseless and rooted in historical xenophobia. Despite this, &lt;em&gt;Rising Sun &lt;/em&gt;portrays them with no nuance or criticism.&lt;/p&gt;&#13;
&lt;p&gt;That CAAAV and other activist groups organized demonstrations against &lt;em&gt;Rising Sun &lt;/em&gt;is unsurprising, given the material consequences that arise when these racist ideas are promoted in popular media. Not only do they take root in people’s imaginations – people who may “have little contact with Asian and Pacific Americans,” and on whom “the impact of films, television, and print is likely to be profound” – but they also foster real-life violence.&lt;a&gt;&lt;span&gt;[8]&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Backlash against the film cited this point. Michael Ishii, chairman of the New York Coalition Against&amp;nbsp;&lt;em&gt;Rising Sun&lt;/em&gt;, noted that “The message is that it’s okay to attack Asians, and that it’s a patriotic thing to do.”&lt;a&gt;&lt;span&gt;[9]&lt;/span&gt;&lt;/a&gt;&amp;nbsp;Even Cary-Hiroyuki Tagawa, a Japanese American actor with a prominent role in the film, stated, “I’ve played a lot of stereotypes…But the angst from all the violence, and the fear that we as Asians feel everyday leaving our door in America wondering whether we’re going to come home, all that kind of angst is being dumped on&amp;nbsp;&lt;em&gt;Rising Sun&lt;/em&gt;.”&lt;a&gt;&lt;span&gt;[10]&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;The signs that the CAAAV members hold in these photographs decry the state of Asian representation in Hollywood, although the “better roles for Asian actors” have largely failed to materialize in the nearly three decades since this protest.&lt;a&gt;&lt;span&gt;[11]&lt;/span&gt;&lt;/a&gt; What’s more, the signs also echo the sentiments of Ishii and Tagawa, particularly in the evocative reference to “the lynch mob” that can form when non-Asian people perceive Asians as a threat to their power or their civilization. The fact that this threat of violence remains a problem even now highlights that there is still a need to push for equal representation in media to this day.&lt;/p&gt;&#13;
&lt;p&gt;Notes&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[1]&lt;/span&gt;&lt;/a&gt; “Protest against film Rising Sun in Times Square (New York City),”&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;CAAAV Organizing Asian Communities Digital Archive&lt;/em&gt;, accessed March 18, 2021,&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span&gt;http://maggie.hosting.nyu.edu/caaav/admin/items/show/1091&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[2]&lt;/span&gt;&lt;/a&gt; “Better Roles for Asian Actors,”&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;CAAAV Organizing Asian Communities Digital Archive&lt;/em&gt;, accessed March 18, 2021,&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span&gt;http://maggie.hosting.nyu.edu/caaav/admin/items/show/1042&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[3]&lt;/span&gt;&lt;/a&gt; Nisid Hajari, “’Rising Sun’ Stirs Controversy,” EW.com (Entertainment Weekly, August 6, 1993), https://ew.com/article/1993/08/06/rising-sun-stirs-controversy/.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[4]&lt;/span&gt;&lt;/a&gt; Thessaly La Force, “Why Do Asian-Americans Remain Largely Unseen in Film and Television?,” The New York Times (The New York Times, November 6, 2018), https://www.nytimes.com/2018/11/06/t-magazine/asian-american-actors-representation.html.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[5]&lt;/span&gt;&lt;/a&gt; Jennifer Richards, “Portrayals of Asians in Film and Television: Get Started,” Ithaca College Library (Ithaca College), accessed March 18, 2021, https://libguides.ithaca.edu/c.php?g=861718&amp;amp;p=6175738.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[6]&lt;/span&gt;&lt;/a&gt; Teresa A. Mok, “Getting the Message: Media Images and Stereotypes and Their Effect on Asian Americans,”&amp;nbsp;&lt;em&gt;Cultural Diversity &amp;amp; Mental Health&lt;/em&gt;&amp;nbsp;4 (3) http://search.ebscohost.com.proxy.library.nyu.edu/login.aspx?direct=true&amp;amp;db=edo&amp;amp;AN=31159946&amp;amp;site=eds-live.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[7]&lt;/span&gt;&lt;/a&gt; “Rising Sun,” IMDb (IMDb.com, July 30, 1993), https://www.imdb.com/title/tt0107969/.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[8]&lt;/span&gt;&lt;/a&gt; Stanley Sue and James K. Morishima,&amp;nbsp;&lt;em&gt;The Mental Health of Asian Americans&lt;/em&gt;, Jossey-Bass, 1982. http://search.ebscohost.com.proxy.library.nyu.edu/login.aspx?direct=true&amp;amp;db=brd&amp;amp;AN=68339687&amp;amp;site=eds-live.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[9]&lt;/span&gt;&lt;/a&gt; Hajari, “’Rising Sun’ Stirs Controversy.”&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[10]&lt;/span&gt;&lt;/a&gt; Hajari, “’Rising Sun’ Stirs Controversy.”&lt;/p&gt;&#13;
&lt;p&gt;&lt;a&gt;&lt;span&gt;[11]&lt;/span&gt;&lt;/a&gt; La Force, “Why Do Asian-Americans Remain Largely Unseen in Film and Television?,” The New York Times, November 6, 2018.&lt;/p&gt;</text>
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                <text>Jubilee Marshall&#13;
&#13;
This post was completed as coursework for HIST-GA 3901 Community Archives, taught by Maggie Schreiner, in the Archives and Public History MA program at New York University.</text>
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