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                <text>CAAAV Protests Film Debut of Rising Sun in Times Square</text>
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                <text>On July 30, 1993, the highly controversial film, Rising Sun, debuted in theaters. CAAAV members and other political organizations joined together to protest the premiere of the film, as it blatantly displays xenophobia and racism toward the Asian community.&#13;
&#13;
In the background of the photograph, we see the United Artists Theatres promoting Rising Sun in large, capitalized letters. There is a police barricade that the protestors are behind and a CAAAV sign is being held up in direct protest to the film. On the other side of the barricade there is a police officer looking straight ahead. </text>
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                <text>Digitized by: Frank Chiang and Van Anh Tran&#13;
Catalogued by: Sam Marsh</text>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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        <name>"Rising Sun"</name>
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                <text>CAAAV Racial Justice Day banner</text>
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                <text>Photo of CAAAV's banner for the demonstration and march in lower Manhattan for Racial Justice Day on April 7, 1997.  At least nine activists are visible in the photo, and their banner features the CAAAV logo and reads: "Committee Against Anti-Asian Violence New York City."</text>
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                <text>April 7, 1997</text>
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                <text>Will Brown</text>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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                <text>CAAAV Racial Justice Project Members Attend a  Palestine Support Rally</text>
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                <text>Six CAAAV members wearing orange vests inscribed with "Justice" on the back face away from the camera towards a group of people. A woman standing with them has a "Free Palestine" sticker on her backpack.</text>
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                <text>April 20, 2002</text>
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                <text>Aliza Hornblass</text>
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                  <text>Photos collected by CAAAV co-founder Mini Liu</text>
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                <text>CAAAV Tabling at Asian Pacific Hertiage Day after People of Color Against State Violence Protest</text>
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                <text>CAAAV tabling at Damrosch Park in Lincoln Center for Asian Pacific Heritage Day, Mini Liu and Maggie in the bottom left of the image, Peter Liu in the far right. The group wears red armbands, as they have come directly from the People of Color Against State Violence Protest, a march from Police Headquarters to Foley Square and City Hall Park. </text>
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                <text>May 3, 1992</text>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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                <text>1992_May_Asian Pacific Heritage Day_0001_a</text>
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                <text>Cambodian New Yorkers sell their wares&#13;
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                <text>Cambodian residents of New York City gather behind a long table to pose for a photo. The table is crowded with textiles and other goods, including purses, pillowcases, and hand-made clothing.</text>
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                <text>Undated</text>
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                <text>Allegra Favila</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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                <text>Canal Street vendors and supporters protest police harassment</text>
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                <text>This photo shows Chinatown vendors and supporters marching in protest of Mayor Giuliani's "Quality of Life" program. Protestors hold signs such as "[Who] Can We Trust," "Quality of Life Stinks," "Stop arresting honest, hard-working people."&#13;
&#13;
Under Mayor Giuliani's "Quality of Life" program, Chinatown street vendors faced increased harassment and criminalization. Police and private investigators would arrest, assault, and harass vendors as well as confiscate their merchandise and money without warrants. &#13;
&#13;
Featured in CAAAV Voice Spring 1995.</text>
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                <text>March 6, 1995</text>
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                <text>Digitized by Nina Huang&#13;
Uploaded by Serena Yang</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Canvassing for signatures</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Protesters are canvassing for signatures from potential supporters during day of action. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>undated</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13530">
                <text>Beau Lancaster</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13531">
                <text>Copyright is held by CAAAV Organizing Asian Communities</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text> CAAAV_1524 </text>
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        <name>Canvassing</name>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Capital Construction Project Sign</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A large white sign hung on temporary fencing that reads, "CITY OF NEW YORK CAPITAL CONSTRUCTION PROJECT / DEPARTMENT OF ENVIRONMENTAL PROTECTION / "BUILDING THE FUTURE OF OUR CITY" / MICHAEL R. BLOOMBERG / MAYOR" and the names of public servants and their titles underneath. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>circa 2002-2013</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Laura Juliano</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright is held by CAAAV Organizing Asian Communities. </text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CAAAV_2233</text>
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        <name>Chinatown</name>
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        <src>https://archives.caaav.org/files/original/96ebe3f3f462a523e3284409d921efe5.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>World Social Forum 2004</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Started in 2001 in Brazil, the World Social Forum (WSF) is a global annual week-long event in which organizers and NGOs convene in the spirit of fighting against systems of power. The WSF mainly serves as a platform for discussing possible worlds outside of one dominated by imperialism, capitalism, and globalization, with the slogan, “Another World Is Possible.” [1] The fourth World Social Forum, held in 2004 in Mumbai, was the first WSF to be held outside its home country of Brazil in order to broaden its focus to Asia and corresponding topics such as the caste system and the relations between India and Pakistan. [2] The WSF is also a subject of criticism. At this particular WSF, criticisms included there were groups that should have been excluded (such as armed militant groups), that the WSF put too much emphasis on discussion and not enough on collective action. [3] Further, a forum counter to the WSF was held at the same time, called Mumbai Resistance (MR) 2004. &#13;
&#13;
CAAAV and Domestic Workers United (DWU) members were delegates to the World Social Forum 2004. They visited impoverished urban areas in Mumbai and a network of Adivasi tribes. [4] Through their experiences with local life, CAAAV and DWU members confronted their privilege coming from a developed country where aspects of life such as running water were taken for granted. [5] They learned about the caste system in greater depth and the environmentally destructive extractionist role that Coca-Cola plays in India. [6] After a couple days of the WSF, the delegation began to have criticisms of the event, including that the workshops were all in English with no translators and that NGOs dominated the discussions. [7] The delegation then decided to visit Mumbai Resistance (MR) 2004 to gain insight into the WSF, learning that the WSF has close relations to prominent NGOs. [8] They then marched with Mumbai Resistance against the U.S. invasion of Iraq. [9] The CAAAV and DWU members left with a sense of renewed drive for justice, a sense of responsibility to educate themselves about the effects of U.S. imperialism internationally, and gratitude for what Mumbai had taught them. [10] &#13;
&#13;
The World Social Forum Collection primarily contains photos, posters and pamphlets taken from the World Social Forum 2004 and Mumbai Resistance 2004. The photographs primarily document protests. The pamphlets are written by various movements and groups about their own work. The collection also includes papers that detail workshops and seminars.   &#13;
&#13;
[1] [2] [3] Karin Simonson, World Social Forum Mumbai: The World’s Second Superpower?: NGO &amp; Civil Society Perspectives, Ottawa: Programme on NGOs and Civil Society of the Centre for Applied Studies in International Negotiation, 2004, 5, https://www.files.ethz.ch/isn/20321/03'.2004.pdf.&#13;
&#13;
[4] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” CAAAV Voice Newsletter, Spring 2004, 5-6, https://archives.caaav.org/files/original/42f687edc80aa07364c0fc33980f184b.pdf.&#13;
&#13;
[5] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 5.&#13;
&#13;
[6] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 7.&#13;
&#13;
[7] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 8.&#13;
&#13;
[8] [9] Committee Against Anti-Asian Violence, “What Have We Done? Reflections on the Movement for Global Justice,” 9.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Digitized by: Unzel Tariq&#13;
Cataloged by: Eris Gonzalez</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>CDaWS Pamphlet</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This pamphlet details the work of the Centre for Development and Women’s Studies (CDaWS), an organization dedicated to the empowerment of marginalized groups, with a focus on women within those groups. Their goal is to empower women holistically through initiatives such as education, cultivating skills to generate additional income, and activities to build confidence. The pamphlet also lists their accomplishments and asks for donations.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Centre for Development and Women’s Studies</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>circa 2004</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>Digitized by: Unzel Tariq&#13;
Cataloged by: Eris Gonzalez</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>wsf_2004_6</text>
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        <name>Solidarity Work</name>
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  </item>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Celebrating 1 Year of the Chinatown Tenants Union</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Stage decorations highlight CAAAV’s 1-year celebration of the Chinatown Tenants Union, with Chinese phrases emphasizing “bilingual service” and “community protection.” The photo featured a choir performance of more than 20 members.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="17736">
                <text>February 24, 2006</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Laine Yu-Jing</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17738">
                <text>Copyright is held by CAAAV Organizing Asian Communities.</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CAAAV_355</text>
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    <tagContainer>
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        <name>Chinatown Tenants Union</name>
      </tag>
      <tag tagId="35">
        <name>performance</name>
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